A Night at the Temple

Concerts. Kirtan. Vodou ceremonies. I don’t care, as long as there’s music.

My body is caught in the current that flows over and from 18,000 people screaming along to Tool. I had a bad day, but that’s gone now. When the music starts, the music is everything. It both brings me completely into, and totally out of, myself.

50,000 people fall silent at the opening chords to The Smashing Pumpkins “Disarm.” We are sitting on a hill on Harriet Island, back when Lollapalooza was a tour. 10,000 people chant ancient hymns on the huge ghat steps leading down to the river in Varanasi. The whole city is lit by oil lamps on this sacred night. The State Theater is packed for the Black Crowes. We have balcony seats. I will talk about this night for the rest of my life, but right now, my whole world is Chris Robinson, on stage, wailing and dancing barefoot on a Persian rug. Over the course of two hours, 1400 people at the (old) Guthrie slowly lean forward more and more and more until we are all perched on the edge of our seats, breathless, as Ali Akbar Khan first caresses, then strums then totally fucking shreds on the sarod. All these experiences were distinct, but they are all the same.

Music usually raises a fierce joy, but there have been grueling times I endure only because music protects me, insulates me, wraps around me, and keeps the world out. Sometime the only thing that keeps me from being alone is a song that express what I am unable to articulate. Music lets me know that I am not the only one to feel something; it both helps me feel it more keenly and to overcome it: with music, the only way out is through. Sometimes I think that in buffering me from the reality around me, the music somehow absorbed it. So when I hear that song again, a little of that reality leaks out.

Music has always been something that frees me. At First Avenue, 200 people dance to P-Funk. George Clinton swings his multi-colored hair in a circle and yells “Are we LIVIN?” We roar back an affirmative: yes, we are livin. 100 people on a River boat chugging along the Mississippi jump up and down in unison to Michael Franti telling us to “throw your hands up high, ‘cause you never know how long you’re gonna live till you die.” The boat is shaking. 40 people crammed in an unfinished room at The New Orleans Healing Center groove to the Afro-Jazz rhythm of Kora Konnection from Senegal. There is no room to dance. A dozen people dressed in white do have room to dance around the center pole of a Vodou temple, as the drums call the Spirits. I am barefoot on the sand, under the stars, listening to music played by gypsies. We are deep in the desert of India, and I dance with my oldest friend.

Live music is best, but my everyday life has had a variable soundtrack coming from the radio, records, tapes, CDs and now our ever expanding digital collection. I love discovering new music, but I treasure the old stuff too. It can take me back to moments, places, people I have not seen in twenty years. The beat kicks in and suddenly I am there again, the memory stored in the music.

My husband and I, and most of our friends, slamdance to Ministry’s “Jesus Built My Hotrod” in the ballroom at a Marriot: he is wearing a tux, I am in my ivory silk wedding gown. We are grinning, young, drunk. I plug my headphones in and listen to Guns and Roses. Axl Rose is the only other human being who might be as pissed off as I am right now. I am in a car with my three best friends when  Prince comes on the radio. We crank it up, pull over on the freeway, and dance. We laugh like loons, and hug each other. My mom puts on a Peter Tosh record and we move to the sound of the Caribbean. Outside, the Minneapolis streets fill with snow. I must have been about six years old.

This is the story of my life. Then, now, always.

Bands I have seen live (as well as I can remember): 
Pixies, Beck, John Mooney, Smashing Pumpkins, Twilight Singers, Tori Amos, Ministry, Dead Can Dance, Flock of Seagulls, PJ Harvey, Bela Fleck, Ani DiFranco, Stanton Moore, Beastie Boys,  Sade, Black Crowes, Blink 182, Fall Out Boy, Sean Johnson and Wild Lotus, Panic! At The Disco, Gypsy Kings, The Decemberists, INXS, Beck, Billy Idol,The Killers, Liz Phair, Gypsy Kings, Modest Mouse, NIN, Roxy Music, Rage Against the Machine, They Might Be Giants, The Black Keys, Tool, Jewel, Ravi Shankar, Trombone Shorty, Jimmy Eat World, Aerosmith, Trip Shakespeare, Lenny Kravitz, Burning Spear, Alice in Chains, Ziggy Marley, The Breeders, Ali Akbar Khan, Babes in Toyland, Tracy Chapman, Michael Franti.

I would see every single one of those bands again, with the exception of Lenny Kravitz, who was so surly and wooden that he has the distinction of being the one artist who managed to make me dislike his music, which I previously liked, after seeing him live. Maybe he was having a bad day. But come on, man, you’re opening for Aerosmith. Have some humility.

Bands I hope to see:
MIA, Primus, Santigold, Lady Gaga, White Stripes, Red Hot Chili Peppers, The Rolling Stones, Snow Patrol, U2, Gaslight Anthem, Arcade Fire, My Morning Jacket, Muse, Gutter Twins, Wolfmother, Rob Zombie, Vampire Weekend, The Strokes, Ozzy, Sleigh Bells, Prince, ZZ Top, Marilyn Manson, B.B. King,  Pink, Godsmack, The Cure, Atmosphere, Black Eyed Peas, Arctic Monkeys.

Bands I wish I could have seen:
Ramones, Queen, Johnny Cash, Joy Division, GNR, Led Zep, Patsy Kline, The Clash, The Beatles, Nirvana, Bob Marley, The Doors, Peter Tosh, The Grateful Dead, Jimi Hendrix. The thought that I will never see Jimi Hendrix live in concert sometimes depresses me.

I almost didn’t go to the last show we had tickets for (Modest Mouse at the Orpheum) because I felt crappy. I have endometriosis, which results in chronic pain. I’m not in pain all the time, but when I am, I’d rather be curled up on the couch at home. But I wanted to go, so, fuck it, I went. There was a great crowd, everyone on their feet, screaming, cheering, singing along to the music. I look around at the wonderful cross-section of goateed, pierced, vintage-clothes-wearing Minnesota geekdom, and think: these are my people! At first I just stand there, sort of bouncing, listening to the show. But music comes in my ears and out my hips, so pretty soon I am swaying and grooving. Tentatively. Pelvic pain and pelvic motion do not go together. But after awhile, the music just…takes me, and I stop caring. I dance. I stop feeling anything besides the music. I stop being anything besides the music.

When the music gets going the beat comes up through the floor and pounds through the air, pulsing my sternum like another heartbeat. Everyone is moving, jumping up and down or swaying in place. I feel the life coursing through me, those around me, the universe. There is no difference. How can there be? We share a heart.

My own, personal Sita: a Blog entry with music

Click on the bold underlined links for songs. Other links are more information about terms.

I recently watched Nina Paley’s gorgeous, funny, moving, and profound animated film “Sita Sings The Blues: The Greatest Breakup Story Every Told.” You can watch it for free, here, so you know what this entry is about. It’s also just a great, great, great film.

If you are uncomfortable with irreverence, critical discussion and/or interpreting the Hindu tradition in contemporary contexts, skip the movie and this post. Please. You will find both offensive.

I believe that any understanding we have of divinity is more about our personal relationship with that aspect of Spirit/archetype/whatever-you-want-to-call-it than any sort of representative truth. My relationships do not reflect on anyone else’s. And, as it so happens, many of my relationships –-with deity figures, real people, my pets, myself-- are often challenging, tumultuous and difficult. I question and worry and occasionally blame and swear (yes! I swear at the Gods! If that bothers you, stop reading now!). I can be critical and difficult to live with. It doesn't mean I love any less. 

That being said, I’ve never liked Sita.

Huh? Who’s Sita and what did she ever do to you, Saum? Sita is (in no particular order) the loyal, beautiful, abducted, rescued, mistrusted, rejected and unshakably devoted wife of Rama.

Ok. Who’s Rama? Lord Rama is one of the incarnations of the God Vishnu, and hero of the well-known and beloved Hindu epic, The Ramayana.To many Hindus, Rama is the ultimate man, the perfect warrior prince who is wise, brave, dutiful, devout and also a total shit to his wife. I know that last bit is going to upset people. It upsets me, too.

I admit it. I don’t like Rama either. At all.

Why Rama? Why why why? When you are exiled, your wife follows you into the jungle where she will likely die. When she is abducted, she tells her captor that she will end her life before she breaks her wedding vows. When you rescue her and doubt her fidelity (Ravana was, after all, quite a charismatic, powerful, and persuasive fellow) she is so hurt that she tries to commit suicide by burning herself alive. According to some accounts, you help build the pyre. She throws herself in, but passes through this trial by fire unscathed. You take her back. You return home –-yay!-- and become king. After a few months, you tell her that this whole abduction thing has been terrible for your image. She is pregnant. You have her abandoned in the forest. Yet she raises your twin sons to sing your praises.  She never speaks a word against you. Your wife would die for you, Rama! And not just in a dramatic, song-lyric kind of way. She would actually die for her love of you. And you treat her like crap.

Re-reading what I just wrote, I realize that all of that is backwards. I should be asking Sita these questions. Why, Sita? Why do you put up with it?  You wimp. Stand up for yourself.

My dislike of Sita is actually so deep that it is evolving and multi-faceted. Here are some of the high points:

1. When I was a little kid, I thought she was whiny and boring. All she really does is get abducted and rescued. For that, I preferred Princess Leia, who could at least handle a blaster.

2. As a coming-of-age girl living in India, I resented that she was held up as the feminine ideal I was supposed to, but did not-in-any-way-shape-or-form, emulate.

3. As a teenager, I was, like, whatever. Bitch.

4. As a young woman exploring adulthood, she vaguely represented why I chose to live in the United States rather than India.

5. As a Women’s Studies scholar, my contempt became tinged with pity. I began to deconstruct her as a symbol of patriarchal cultural traditions that systematically strip women of their power.

6. She made me so uncomfortable that, like other stuff I dislike, I just stopped thinking about her.

7. I read Women Who Run With The Wolves and thought, there’s got to be a better Sita story out there somewhere. I found a few, and made up more, in an attempt to obscure the original Sita I knew.

8. As an occasional lecturer on Hinduism, I hauled her out as example of conflicting messages for women’s identity in contemporary India. 

9. I watched “Sita Sings The Blues” and realized that while all of these things are true, none are complete. What I dislike about Sita is that she represents a part of myself that I am ashamed of. She is me. I am her, in all her archaic, submissive glory.

I have both been that woman, and seen that woman. You know her too: the woman who seems so strong but who loves a man so much she will go anywhere, do anything, put up with abuse, suffer his contempt, endure his rejection, and still defend him, raise his children and never let her kids hear her speak a word against their father.

We all know guys who are great people but awful to their spouses. Rama sacrifices his relationship for his career as a God-prince. And Sita is the woman who sacrifices everything for the marriage that he is throwing away. In Paley’s film, Sita sings the Blues, but it could as well be Country (Paley did the Ramayana so well, but I’d LOVE to see the Mahabharata as a Country & Western saga, with everybody in cowboy hats, preferably directed by Joss Whedon).

This isn’t just an oppressed woman/abusive man thing, you know. Men are as just as stuck when it comes to archetypes, maybe even more so than women. Who wants to be the warrior every damn day? Where do men turn for reassurance that it’s ok to give up control, that they don’t always have to be the one doing the rescuing. It must be exhausting. There are certainly many male Sita-types in the modern world, men who love beyond reason and are doubly dammed by being considered unmanly for it. At least women have lots of role models for suffering.

Some people say that Sita’s relationship with Rama --actually, all romantic stories-- are not about men and women but about our relationship with God. I don’t know if I entirely buy this. It’s certainly not any more satisfying to imagine that in addition to occasionally following indifferent and abusive men, we also follow an indifferent and abusive God (although it would explain some things).

In the end, Sita asks her Mother Earth to take her back: the ground opens and down she goes. There may be something about a return to Earth-based traditions for individual empowerment, although it’s hard to imagine that’s what the composers of the Ramayana had in mind.

Of course, sometimes it’s worthless to try and figure out what composers of religious, or any, text really had in mind. It often ends up being conjecture, influenced by our own biased attitudes and experiences, so I’ll just go directly to understanding it through my own biased attitudes and experiences.

I was raised, and still adhere to, the belief that the characters of the Gods/heroes are not (necessarily) intended to be emulated, but to  present certain aspects of humanity in order for us to learn from them. I don’t think that anyone really believes that Zeus and Hera are a good example of how to run a marriage, or that because the Pandava brothers lost their kingdom in a drunken game of dice, we ought to follow their example. Huh? Who? Sorry, that’s another story…maybe with cowboy hats.

Does creation equal endorsement? Does representing a certain way of being advocate that it is a desirable way to be? Part of what makes me so uncomfortable with Sita is the implication that there is an admirable strength in this (feminine) endurance of (male) emotional brutality. Even worse, I believe there IS strength in it. Of course there is. But it seems exploitative to fashion a heroine to exemplify this quality.

If Ezili Dantor is the patron of single mothers, Sita is the patron of mistreated wives. I’d rather there was no need for either. But there is.  Sita is considered the perfect wife. But her existence has also helped me (and presumably other women) define what I don’t want to be, or wish I wasn’t.

Any hatred is self-hatred. I’m sorry Sita. It was never about you.

I want to identify with the fashionable female archetypes: Kali, Ezili Dantor, Boudicca, Rani of Jhansi. But there’s a little –or a lot- of Sita in me. Just as I cohabitate with Erzuli Freda, a good dose of the Virgin Mary (hold the jokes, you know what I mean) and every weeping, martyred saint I can think of.

Think about what unconditional love means. I mean, really think about it. It’s a concept we elevate, but in action it is a terrible force.

The thing about Sita that blows my mind is that she is not only devoted and loving, she seems utterly free of grudges or resentment (this could just be evidence that the Ramayana was written by a man). How do we tell the difference between healthy forgiveness and being an enabler of someone else’s abuse?

There is an awesome power in not letting another person’s actions influence how we feel. No matter how crappy they are, we will not be changed, and part of who we are is loving them. But we might love someone we absolutely cannot live with. I once loved a man I couldn’t live with, and I left him. I didn’t stop loving him. He didn’t deserve my love but he had it anyway. I am ashamed that I couldn’t stop loving him. My inability to love conditionally still upsets me.

I’m also blessed (and dammed) to know crazy, epic-sized love. I am hopelessly devoted, wildly enamored and irrationally infatuated with my husband. This love, and my own romantic fantasies, make me feel needy. Part of me desperately wants to be rescued (from what, it’s unclear, but a ten-headed demon-king + numberless minions would work just fine). It embarrasses me. I’m supposed to be empowered or something.

The idea of unconditional love is terrifying. Love will fuck you up like nothing else. It can be painful and humiliating. But we learn from it…I believe we only ever learn things the hard way (although it’s very possible that’s just me). It’s easier for me to be angry than forgiving. I’d rather scream along to Rage Against The Machine than sigh with Bessie Smith. Kali is the overwhelming rage of the Goddess, while Sita is the Goddess who refuses the path of rage.

As appealing as it is some days, I can’t go blasting through life ripping people’s heads off and sticking my tongue out at everyone. (It did take me a little while to figure this out.)

But I haven’t made peace with Sita. She is part of me, and part of being human. I don’t have to be one or the other, violent/submissive, Kali/Sita…I’m striving for “assertive, but calm.” Ha. That’s why we have so many images of the divine. Because we are a collection of archetypes ourselves.

We all sing the Blues.

There is wisdom in our inner Sita: the selfless devotion of love, a refusal to let betrayal make us bitter or hateful, and the final surrender of falling back into into the source of our power. Kali draws that power up, Sita sinks down into it. Sometimes that’s what we have to do. Sometimes it’s all we can do. It doesn’t have to be the only thing we do.

Home Office

I am trying to work in my home office, while other work is going on in the house. There are a couple of guys updating the security system, which produces a regular & piercing beeping sound, like, well, like an alarm going off. The dogs, sensibly, are alarmed, and bark loudly in response. To be fair, this is their job, so my annoyance feels mean-spirited. It is cold and rainy; they can't be outside where there is no (or at least muffled) beeping. Sadly, neither can I. I have a  significant amount of work to get through today, so I am trying to ignore the noise and stay focused. I am also doing A LOT of deep breathing.

My nonchalant attitude towards the ongoing home invasion and resultant Very Loud Noise is deeply troubling to the dogs. They have come to the conclusion that I am deaf to the beeping and must be informed of it by other means. When it beeps, they bark. At me. Barnabas, a 65 lb Shepherd mix, has a weirdly high-pitched, jackhammer yap: wha! wha! wha-wha-wha-wha! wha! Shiduri, the 100 lb Great Dane, does not bark, but rather bays, deeply and loudly, like a submarine siren: Ah-AH-AH-AHWHOO! AHWOOOOOOOOOO! She is exactly ear level with me. 

When the beeping mercifully stops, the canine tweeter & woofer team strut around importantly, clearly feeling that they have frightened away the interlopers. After a couple of grumbled threats in the direction of the front door, they finally relax, and lay down on their doggie beds…we all sigh… just in time for the next terrible BEEP! which sends them scrambling and barking, and then the whole cycle repeats itself. This started at 8am. It’s now 4.

I think the noise hurts the dogs ears so I put cotton balls in them. They don't like it. At first, Shiduri shakes her head violently while she’s barking, which adds a Doppler effect, which only intensifies the siren-like quality of her bays. I feel the vibration in my sternum.  By now she is overcome by the futility of it all and has decided that this awful situation is Barnabas's fault. She commences barking at HIM. He tries to cram himself under my feet. One of the work guys comes in to ask a question.The phone starts ringing.

Why the hell do we have an alarm system? Anyone in their right mind would flee from the dogs.

Crude Karma

Karma is a flexible word, yogic in its ability to twist into different meanings. People use it when something dramatic happens, to indicate luck, fate, destiny, justice, punishment or reward. None of those are quite right. Trying to understand karma through events is useful, but crude.

I don’t mean crude in a crass sense, but rather visceral, material, something in the visible world. Traditionally, karma refers to patterns of existence under the surface, the ebb and flow of the universe, a tide we affect as much as we are affected by it. It is as much what doesn’t happen, as what does. Crude, we can see. It floats on the surface of things; it can reveal some of what’s in the depths. Analyzing crude karma –what events mean-- can be illuminating, because it is based on things we can see. Events are the invisible process—the things we’re so used to we don’t see them anymore—made visible. Events can help us see, but we have to be careful to keep our vision clear and honest. The most significant lessons are the ones we don’t want to learn.

Every time there is a disaster, some Hindu somewhere says: It was their karma. This drives me crazy. Nobody needs to hear that after experiencing trauma. The way karma is commonly understood, this implies that suffering was deserved.  “Deserving” is another flexible word, implying either entitlement or punishment. Karma is morally neutral. It is not judgment and it is not license to judge others. No one is the authorized agent of karma: you can’t go around smacking people upside the head and then smugly proclaiming it must have been their karma. Bad manners and exploitation have no spiritual justification. The application of any ideal must stand up to common sense and common decency. We are each responsible for our actions.

Karma is the consequence of action. I could insert some poetic quotes from the Bhagavad-Gita, but I’ll spare you. The Gita is a wonderful, wise book, but we don’t need to look to the ancient world for battlefield examples; we are struggling through our own epics right now. We live in a time of dramatic, large-scale events. Now we have to make sense of them.

But understanding is a subtle, slippery thing. Trying to draw a direct correlation of one event to another is tricky. We want to ask: why is this happening? (or, why does this keep happening?) and come up with an answer. But understanding is not an event or intellectual exercise; it is a process. We live it.

Karma is not fatalistic; it is the opposite: the measure of how  our actions on the Universe affects us in return. However, it can appear fatalistic, because once set in motion, certain things must play out. If you drink water, you feel nice and hydrated, but at some point, you will have to pee. That’s an obvious (and crude) example, but a good one. When you’re a little kid, the need to pee is an event that just seems to happen, totally disconnected from anything going on at the time: one minute you’re building a tower, then suddenly….It can be pretty traumatic. I’m sure toddlers wonder: why is this happening to me? As you get older, you figure out that it’s not this mysterious thing. It’s not a punishment, reward, fate, justice, luck or destiny, but it didn’t just randomly occur either. To adults, it may be inconvenient or a relief (or both), but it’s not good or bad. You don’t feel guilty or proud of it. It’s just life in motion. You drink, you pee. You buy, you pay. That, crudely, is karma.

You can learn, and change, and next time the outcome can be different...to some extent. You will always have to pee, but it stops being an event. The drama that gives it an emotional or moral component is gone. You know it’s going to happen, and you learn to be competent. This might seem like a facetious example, but it’s not intended to be silly. It’s amazing, the things we struggle to come to terms with, then absorb, and then barely think of again. So much of what drives our lives has become invisible to us.

Life is driven by choice; according to Hindu belief, to be born (or not) is a choice: you return to life again and again not just because of “karma” to fulfill, but because life is fun; or, some say, we amass karma because we want to stay connected to life; as if life is someone you like but are too shy to ask out, so you leave your sunglasses at their house for an excuse to return. Karma does not have to be a burden. It’s frequently compared to payment, or debt: I think this is apt but misleading, because we have considerable emotional and cultural baggage about debt. No-one really likes the idea of being in debt: we’d all like to own our lives free and clear. But—debt is often what lets us have our cozy homes, our convenient cars, our work wardrobes, vacations, and so on. Incurring debt is often a lot of fun. The money you owe (or earn) does not express the joy and sorrow it helped you experience. Your home is far more to you than the value of your house. Debt can get out of hand, but it can be enriching, too. The process of living is a constant series of exchanges. 

In Hindu thought, Leela, the game board, is symbolic of the world we live in: a game with some rules, but we’re free to play, and it’s no fun to play alone! In Vodou, Ayizan is the spirit of both initiation and the marketplace. While these things seem unconnected, they are intertwined.  The marketplace is also Leela, the world. To initiate is to be in the world; to be in the world is to take part in the entertaining interactions and exchanges of life. You do this through your choices, which in turn become become part of the flow of energy. You may not be attentive to them, but your actions do not just disappear into nowhere when you’re done with them. There are other players on the board, and the marketplace effects everyone.

The idea of Karma unites us: what you do affects me, and vice versa. One person’s action ripples to effect many. There is no question of being deserving or undeserving. We’re all in this together. We all shop in the same market, we all swim in the same Waters. We all thirst. 

This sense of connection makes it appealing, and easy, to lay the blame for things that cause us pain on someone else’s doorstep, someone else’s actions. It’s tempting to blame our Mom, the Universe, God, the Government, Corporations, for letting us down, leading us astray, failing to protect us, or generally screwing us up (or over). But there is no “Government” or “Universe” that is above and beyond us, all powerful and all knowing. Our mom is a lady who did her best; our Government is elected and held accountable by us; our friends, relatives and neighbors work for Corporations from which we buy goods that we want to remain affordable, so we can do what we need to do, and enjoy life along the way.

There is no “them.” We are the Corporations and the Government. We are moms and dads. We are the Universe. This is our world, our joy, our mess.

Our actions are choices. I choose something, not necessarily something dramatic and moral, but an everyday thing, an inevitable thing: I’m thirsty. Everybody has to drink, right? So I’m thirsty. Right now. Excuse me.

Ah, that’s better. My lovely niece stopped by to do some yard work, and brought me an iced coffee from Caribou. Life is made up of such pleasant everyday moments, soon forgotten and usually unremarked upon. But, not noticing something does not mean it is unimportant. So much of what drives our lives is invisible. The most significant lessons are the hardest to learn.

Here are some consequences to my choice of drink: I’m not thirsty any more. I feel happy. I owe my niece four dollars. Later I will have to pee. I’m sensitive to caffeine so I’m going to fly through the day, get a huge amount of work done, and probably not sleep much tonight. If I’m up at 4am, that’s an obvious, a crude, consequence of my beverage. But the ripples spread further, wider: events rise out of process. I might not be the only one losing sleep because of my choices. Buying my coffee from Caribou in a plastic cup supports local jobs, as well as the larger coffee, transportation and petroleum industries.

Embedded in our everyday choices are a whole host of  consequences. Choices direct life. Karma is life in action. Now watch what happens. See the ripples spread.  When we’re all choosing the same thing, all acting the same way, those ripples coalesce into an a wave, a flood, an event that unbalances the world. The game board tips: we all go tumbling. Why does this keep happening?

This is crude karma. It is not done by “them” to “us.” It is not justice, or judgment. It is not luck, fate, destiny, reward or punishment. Although some people may bear the brunt of the suffering, they do not deserve it. We do not have to feel guilty or proud, but if we really want to understand, we have to live a process that can lead to a different outcome.

Our thirst leads us to all manner of tasty delights, but there is a consequence to reckon with, here in the material world. Actions continue far beyond our intent. Eventually the tide brings everything back to our own precious shores.

Svaha~I make this offering

*Here is another one from the archives, circa 2000.

I am not this, consumed by flame; I am not that, washed in water;
I am not that which drew air, nor am I that which walked upon the earth.
I am the earth, I am the air and I am the water.
I am the fire.
All that which is impermanent, I leave behind.
Svaha svaha, svaha, it is no more mine.

My father is dead. I watched it happen, as he performed his own funeral service on the banks of the Ganges. I have heard that Sanskrit phrase, svaha, it is no more mine, over and over again, my entire life. It is said with every offering given on the altar, into a consecrated fire or sacred river. In my family, it is said with humor and resignation, over opportunities or items lost. Our mental shrug, Oh, well, its gone.

That ceremony transformed my father, my Tata, into something else: a Swami, beyond definitions of family, gender, religion. He began a journey away from of me and mine, and sought a life of service. Swamis were not a mystery to me; I grew up with Baba, a guru who initiated me into our tradition when I was six years old. I felt lucky, even as a kid, to know him. He made a family of everyone who needed one. He made the world magical.

When I was nineteen, my dad, struggling with diabetes and a heart condition, was given a last chance by the doctors: a triple by-pass. This was back in the days when heart surgery was a thing of fear and miracles. In the voice that lulled me to sleep as a child with countless guided relaxations (oh, how I relished being able to make him yell when I was a teenager!) he told me that his life was coming to an end, one way or another. He wished to survive, but if he did, it would not be as it was. It was time. He would begin the process of transition towards Swamihood. My mother would care for him after surgery. They would live together as brother and sister for a time. They would part eventually, husband and wife no longer. Not divorce, he stressed, as though I didn’t know. He would renounce his former life, his family. Our father was leaving us for God.

It seemed natural that this was happening. When he said that he would need his children’s formal blessing, I was startled, as if he was asking our permission to stay out late. I must have talked about it with my siblings, my friends, but I have no recollection. I don’t remember feeling rejected or abandoned. It was actually kind of exciting, as if he had won The Nobel Prize or something. Tata was ours, but never only ours. We always shared him with so much, his books, his disciples and his mission. Much was shared with us in return.

Watching him chant his own funeral prayers was another thing. His familiar voice rising and falling, rising and falling as he sang the ancient hymns. I remember sitting in the mild mountain sun, catching my brother’s eye, and thinking, our father is dying.

I am grateful for the Swami who rose from that pyre, although it took awhile to sort things out. What do I call him? (settled on “Tata Swami”) How do I introduce myself? I can’t say “I’m his daughter” anymore, can I? Or can I? There were a few awkward years where no-one was sure how to behave, what was acceptable. This was new territory for all of us. I avoided him.

My relationship with Swami Veda is very different now, but that’s to be expected, I’m not a teenager anymore. I got over my joy of being able to make him raise his voice. Instead I have found pride, solace and inspiration in watching him become. My father had always been a teacher, but a Swami is something more. And he has become more to me than a father. I look forward to the few times a year that I see him, long nights when we sit up and talk. We have an ongoing debate: Are things as they always have been or does the world really change? We argue but also laugh a lot. He still loves to tell jokes, most of them based on awful and elaborate multi-lingual puns. Through Swami Veda, I have finally gotten to know my dad.

No matter what paths I walk, they are extensions of an ancient tradition. I believe the teachings of the mountain sages, teachings repeated in the Bible, Koran, Torah. Teachings spoken by priests and shamans and druids, wisdom based on experience of living: Know thyself. Let go of what limits you. Respect others. Swami Veda has brought that to countless people. He has acquired the weighty title of Maha-mandalashvar, a Swami among Swamis. He has been responsible for bringing the leaders of Buddhism and Hinduism together for the first time in twenty-three centuries, to be the first ambassador of Hinduism in China in I don’t know how long. I may only see him a few times a year, but when I am really in trouble, it’s his phone that rings in the night, where ever he is. When I sit down to meditate, it is his voice in my head…relaaax your shoulders…breathe deeply, slooowly, smoooothly. The echo of the father I let go.

I don’t think it will be so easy to let Swami Veda go, which is ironic.

Not today or tomorrow, not in the next six months, but, holy or not, he is going to die, to make that final life change. I have seen it, under the mountain sun. This time, I am afraid. When Baba died, I knew there was no-one who could replace him; but we had Swami Veda. I had Swami Veda. When he is gone, who is left? Who will be there for me?

And I find when I ask that question, I have trouble meeting my own eyes; for who is left is looking back at me. You skirt around it in your own way; for me it comes down, bluntly, to selfishness. I want mine, my life, my choices, my freedom. I wanted my father. I want the illusion of owning my life…even if I know it’s an illusion. But I am a child of our tradition; I am my father’s daughter. The voice in my head has become my own.

There is no “one” who will take over, who will be Our Father. Who will be mine.

It is exhausting to fight your own truth; I imagine it must be a great relief to finally, totally, just be yourself. I understand why traditions of self-knowledge are not so popular. Revelation can be very disruptive. Compassion is hard work. Surrender takes some getting used to. Our voices are useless if we don’t share them.

I grow tired of the bondage of mine. I know I am not this that walks, breathes, which someday will be washed and burned. I hope that I will have the strength to look at this life I have hoarded so selfishly and be able to someday say, with relief, svaha, it is no more mine. And then live it.

Looking Down at Clouds

The world is encompassed in oval glass. The engine roars to keep you aloft; it should be deafening, but the enormity of where you are, how fast you’re going, how you stay here, is nothing more than a background hum.

Clouds scoot along a level scrim of sky, imperceptibly contracting, expanding, disappearing. You feel you could reach out and pop one into your mouth. Beneath that, the world stretches and rolls out a map of itself. These are the Great Plains. Vast marbled sweeps of floodplain and cleared fields are chocolate brown and fudgy black, luscious and rich enough to eat. Scattered forests look bushy; they curl darkly in on themselves. Rivers slide and muscle through the land. They are never blue.

Occasional cities clot and sprawl. Gleaming downtowns are bar graph topography at the center of large grid-plains of streets. Ringing this, you see lobed arrays of roads, trees and houses arranged in orderly arabesques, everything in agreement. Cars are sparkles of light, Morse code flashes against the dark flow of road. But these cities are not what cover the land. Most of what you see is farm. Tangram fields are puzzled together: straight edged and serious. Silos rise and flash beside arrangements of angular buildings: bright as a polished blade, tidy as a place setting.

Where is the wilderness? You’re surprised at how much land is strapped and planed and boxed up, neatly. Knife-edged. The sky remains the horizon.

Immersion ~Belize part 2

I always have some fear when I swim out the first time, after an absence from the Sea. I love the Ocean, but depths frighten me.

It is especially unnerving because right now I can’t see anything; this is not the clear brochure blue Caribbean but a slightly marshy seaside with a muddy floor. The waves stir everything up and visibility is about what I expect in a blizzard, except with coral heads and parrotfish suddenly materializing in front of me. We have vague directions to the little reef (“About 200 yards North off the dock of the house with the barking dogs”). We periodically stop, pop our heads out of the water and pull our facemasks up to squint at the shore. The waves have a different idea of which way we should be heading, and disagreeing with them is tiring. The water is choppy and not really that warm. I tread water and try to untangle strands of my hair from the clasp that holds snorkel to mask; I hear them rip. I yank the mask down, lower my head, and swim. The snorkel sometimes offers air, other times, salt water. My breath sounds amplified, loud and fast: Darth Vader having a panic attack. I feel both claustrophobic and exposed. I try to relax and slow my breathing, which only makes me realize how not-relaxed I am.

I feel simultaneously afraid, foolish for being afraid, and afraid of showing my fear. Are fish like tigers? Can they smell fear? I feel like turning around and swimming back for shore, back to where I can see what’s coming at me.

I’m tired. I float for a minute, facedown, bobbing. My limbs relax.  My back is warm then cool, warm then cool, as small waves come between flesh and sun. Out of the gloom a 5 ft Eagle Ray soars by in slow motion. My head turns to follow its glide. The waters swirl, then I am alone again.

I stop breathing for a moment. Silence rushes in my ears. This is what being a priestess is like.

I have spent so much time gazing at the surface of the Waters. It is mirrored. It’s all the same Ocean, but there is a lot of publicity about the clear places where you can see below. I never seem to end up there. I always end up in the obscure, muddy parts, where the light bounces off the surface. There’s only one way to know what’s there. I wade until the ground drops out from under me and I’m forced to swim. Any given directions are vague, meaningless once I’m on on my way.

I paddle through a vast and murky Sea, not sure where I’m going, not sure what I’ve come to see, not sure I really want to be out here at all. 

Immersion is a constant caress, both distant and intimate. Invisible currents carry me along; I fight against them, wanting to go my own way. I am beneath the surface, but barely. There are unimagined depths below. I do not understand the nature or intentions of the deep, or what may dwell there. The speculation chills me. I long to see, but fear the encounter. Things seem to appear out of nowhere and I am startled by their grace, their belonging to this place. I flounder around, awkward and scared; my tension only makes it worse. Insight is only a byproduct of exhaustion. Be still and listen. Nothing can give me the release I am seeking; I have only been struggling against myself. I am more water than flesh: I am made of the substance I am immersed in. I have been gliding farther into myself, into my own Waters. I am the deep.

My breaths are the waves beneath the waves. Movement is effortless. The depths I fear are what bear me up.