Music for Mountain Roads

Things I associate with other things:
The MN State Fair and mini-donuts
Bare feet and the beach
The smell of alcohol and hospitals
Indian mountain roads and very loud music through headphones

*   *   *   *   *   *

On the way down from the hill town of Munnar, we bounce and shimmy over a road that is almost wide enough for two vehicles to pass comfortably. Sometimes, leaping around a switchback, we meet another vehicle. Both lurch to a halt. The drivers communicate with complicated hand signals and abrupt jerks of their chins. Usually the coming-down-the-mountain vehicle reverses, maneuvering backwards up a hairpin turn or two. We find a place to squeeze by, like a passenger in the window seat scooting up to the airplane aisle. Now imagine doing that if, instead of the seatbacks in front of you, there’s nothing but a drop-off and empty air. I peer out my window as we rattle past a truck; it may as well be 10,000 feet down.

As soon as we’re clear, the car sprints forward. This is less of a flat-race than hurdles: we spend a great deal of time partially airborne, crashing back to the road with elephantine grace. I hold the Oh, Jesus handle. (Would that be a Hai-Ram handle in India?) Unlike the USA, where the Oh, Jesus handle is so called because it’s what passengers grab in an emergency or accident, here in India, these situations are so constant they lose urgency. You learn to hold the handle (or the prayer, if you swing that way) the whole time. You keep your bag zipped up so that when it is flung onto the floor all your stuff doesn’t fall out and roll around. My headphone cord is arranged in such a way that it will not strangle me if I am flung onto the floor (learned that the hard way); the phone it is plugged into is wedged carefully so it does not become a projectile (same incident). 

I am listening to Kanye West: aggressive, misogynistic, smart and melodic: Everybody knows I’m a motherfucking monster. I turn it up all the way. The sound is fantastic.

I have (have always had) diverse musical tastes. Growing up, I was as likely to listen to Air Supply as Iron Maiden, Billy Joel as Peter Tosh. But when it came time to buck over the narrow, nearly vertical paths and ruts of the Himalaya of my childhood, I always chose the loudest, most parent-disapproval-earning, ear-drum-punishing sound for my headphones. When I was young, it was as much escape from my family as anything else. I don’t know why I do it now.

Kanye threatens, howls and opines: I mean this shit is, fucking ridiculous…

I listen to the pounding bass and observe the bewildering tragicomedy of Indian billboards: smiling sari-clad women loaded in gold jewelry, a child sprays water at an Audi, half-dressed men lurk on motorcycles and scowl, happy couples jump for joy, a swami floats beatifically over a temple, a group of anxious people are menaced by a gigantic snake. There are signs for something called Globstar Sofas (that is not a typo). Every single person in every single ad could pass for white. The signs are mostly in Malayalam, a language I can’t read or speak. Besides the sofas, I have no idea what the ads are for. Movies? Wedding jewelry? Undershirts? Motorcycles? White folks?

Praises due to the most high Allah
Praises due to the most fly Prada
Baby, I’m magic. Ta-da!

I settle my sunglasses more firmly on my face (they will shake lose again in a couple of minutes) and glance over at Urban. He is wearing a fine, cream-colored cotton shirt, and a lungi (the sarong-like garment traditionally worn by Indian men). It looks good with his fair skin, unruly blonde hair, and the ease with which he carries himself. His eyes are closed and he counts prayer beads on his mala: he is meditating. I look down at myself: I am wearing capris and a shirt I bought at Ridgedale. Kanye thumps and cusses in my ears.

We got nothing to lose, motherfucker, we rolling. Motherfucker, we rollin. With some light-skinned girls…

I am the Indian one, although all the Indians in the billboards now rushing past at roughly the speed of sound have complexions closer to Urban’s than my own.

Ain’t no question if I want it: I need it. I can feel it slowly drifting away from me…

We pass painted trucks & indifferent cows, sometimes whipping by inches away. A group of shirtless men squat by the roadside drinking chai. A young woman in a pink salwar kameez roars by on a motorcycle. Our eyes meet. She does a double-take at Urban and gives me a grin and a nearly suicidal thumbs-up.

Would you rather be underpaid or overrated?
(I consider this line for some time, and try to imagine a scenario where I would have to choose between these two options. Then I realize that I already have both. This makes me happy.)

Turn up the lights in here, baby: extra bright, I want you to see this.

Urban finishes his mala, digs around for his headphones, and plugs them into my phone. This is possible due to a device that goes with me everywhere. I call it The Nifty Dual Headphone Jack Adapter Thingy. Getting all this technology out of bags and connected while the car jumps and spins takes some doing. Now Urban is trying to take pics of the billboards while holding on to the Hai-Ram handle with one hand. I turn the music down for him, a little. Kanye is picking up steam:

No more drugs for me; pussy and religion is all I need. Grab my hand and baby, we’ll live a hell of a life.

We pass a bus with an Indian-looking Mighty Mouse emblazoned on the back. Urban & I grin delightedly. We reach out to each other, but the car careens around a corner, and we have to clutch our respective handles to avoid being thrown across the bench seat and out my open window.

Exchanging amazed glances at the world outside, the same music in our ears, we can’t hold hands because the ride’s too wild. Coming down the mountain, hurtling toward the sea: we have no idea what we’ll find there.

That’s one hell of a life.

Riding Home

From the gate of your mother’s house, you could swing up on a horse, clop down a few quiet streets, cross the river and then there was nothing but packed dirt roads good for a gallop, tiny temples perched on mountainsides, villagers gathering firewood and grasses, miles and miles of rice paddy. You would come around a hill and see the paddy rising in terraces from the valley floor, marching ponderously up the slopes, shrinking as they go.

These hills are as big as some mountain ranges. They are foothills only compared to the sweep of the snowpeaks that float behind them: The Himalaya. When you saw the mountains you would finally feel that the city was behind you. It’s not that you could relax: things here require your full attention.  But something in you eased, a little.

You would follow broad forest paths through the hills then take goat tracks that clung to the mountain and shed pebbles into steep drop offs as you rode by, going too fast on an unpredictable horse. You would pass through villages, and tiny old ladies would call to you from the fields. They would ask you to have chai and chapattis (flatbread) with them. You would sigh, because it meant dismounting, which meant remounting. The mare would stand steady and quiet while you held her, and walk like an angel when you took a village kid up in the saddle for a quick pony ride, but when it was time for you to mount up she basically tried to kill you. If she knocked you down, she would then trample you. You had to vault up quickly, hauling her head around to the right so she didn’t give you a bite on the ass to hurry you into the saddle. She was sinewy, tough, and quick as a snake.

You get to know the villagers. You help haul firewood, you carry packages and messages between the scattered settlements. You are given chai and admonitions. They joke and call you “Kalki didi,” after the last incarnation of Vishnu who will come to end the world, riding a pale horse. It is better than what they call you in the city.

You mount up (quickly), turn your body toward home and the horse beneath you follows and carries you at the same time. You ride her like a current. You go home in the dusk to the sound of temple bells and prayer call. Cows are coming home, plodding and lowing. 

Many years later you read a book by a woman returning to India after an absence and she describes this time of day and what haunts you is her line “the air was dust and jasmine.” Haunts, because you read her words and you feel warm dusty air and breathe in jasmine. You hear hoof beats. 

*  *  *  *  *

You have been gone for 10 years now, and these memories are even older than that. Now you come back, and there’s an airport with a glass elevator. There are luggage trolleys, a gift shop. You get in a Toyota and the driver takes a back way home because Rahul Gandhi is speaking at the Parade Ground and there are crowds. You remember when his grandmother was assassinated and there were riots and killings. You remember when his father was assassinated, too. You were in the States by then, and you remember thinking: that bloody country. You think about this as you take the back way home. You are excited to be here. You know it’s going to be different. You’re ok with that.

The roads you take are packed with vehicles: trucks, cars, putt-putts, scooters. Everything has an engine. Traffic is both lumbering and nimble. Car horns sound, not in complaint but orientation: a wolf howl, saying: I am here. I am here. You swerve and bully your way through. You parry and dodge.

The roadsides are packed with stalls and carts selling: pyramids and piles of oranges, apples, red winter carrots, potatoes, T-shirts, shoes, and everwhere everywhere plastic plastic plastic: buckets and bags and baskets and toys. There are no sidewalks and no parking lots, the traffic and the bicycle guys and the pedestrians come together with the inevitable and irresistible force of the sea meeting the land. Road verges foam like surf. Everyone is in motion but nobody gives ground. Pedestrians in jeans and dhotis, leather jackets and shawls, weave and thread through moving and parked vehicles and talk on their phones. A dog sits down and has a good scratch. Everyone goes around him, not even looking down. The dog trots off.

Behind the pedestrians and the carts are the shops. Steel shutters on cement block and plaster buildings, built to last. They are streaked and mottled with black monsoon stains. Above are apartments and homes, washing hung out to dry, kids hanging off crumbling railings. The buildings are solid, the doors and windows square and steady. Everything else: doors, curtain rods, shutters, is askew. The city is festooned with electric wires, a snarled canopy of current. A festival of lights.

Amid this are shanty tarps and tin roofs. You have no idea if the rickety shack you are looking at is a shop, a home, or both. These structures look fragile but seem to have stood for a thousand years. Here and there a massive tree survives, propping up the world.

You pass by a man squatting on the ground, his head tilted back. There is another man behind him, holding a straight razor to his throat. Only after they vanish in the dust of your wake do you figure it out: a barber, shaving a customer on the side of the road.

The road is curvier now, you take disorienting turns onto side streets with less activity and fewer crowds. It is still wall-to-wall buildings but the noise has lessened. Now and then you catch a glimpse of the hilltops: a familiar confluence of peaks catches your eye. You ask the driver what the massive cement building under construction on your left is, and he says they are building an IT park and call centers. You feel a sense of dread. The road curves left, right, left again. You look around, crane backwards, look up at the hills, look at the city surrounding you and think: no. No. It’s not. But the next curve is a sharp one to the right and you are descending towards the riverbed and then you have to acknowledge that you know where you are.

These are your dirt tracks, your goat paths. These are the fields where you helped gather grass for winter forage. There, where the IT center is rising: that was the maze of camelthorn bushes with their small, bright flowers and vicious thorns that left your calves bloody when the damn horse swerved into them. This rusty steel bridge, this is the shallow curve of the levee over the riverbed, hard packed dirt with a good sight line so it was safe to canter. 

Beyond the next curve, finally. This, here, is the straight open stretch where you could leave off the battle and let her run, full and true at a gallop, nothing between you, nothing holding you back, nothing before you but the hills. You had to remember to slow down before the next rise and look for rare but lethal trucks barreling over the hill: you could never hear them over the reverb of hoofbeats, the wind in your mount’s lungs and your own. The beating of your hearts drowned out the world. 

This is your refuge: built upon, populated, grimy. Strewn with trash. Crumbling as though it has been like this for a thousand years. As if there were never anything else here at all.

*  *  *  *  *

Some days later, you walk down to the Ganga during arti, the evening prayers to the sacred river. You have to stop at the market first, to buy offerings: little leaf-boats are piled with marigolds. A rose makes a scarlet ruffle amid the orange petals. There is a rough clay dish with a hunk of camphor to light, and two graceful incense sticks leaning out at an angle. The whole thing is about the size of a soup bowl. Although you are in a hurry, you raise the leaf-boat up to examine the construction. It is woven together by the fragile stems. Nothing more.

Priests are waving towering oil lamps at the river, and chants are broadcast on loudspeaker. There is a crowd milling around the priests and their dramatic accouterments but the verges are peaceful. Most people are carrying garlands of marigolds and roses, or little boats like yours. People spread out into clumps, then groups, then families. Some young guys strut around. The beach is rocky and the water is swift. It is not the color of any North American water you have ever seen. Not clear blue, this, but jade and opaque. You have journeyed to the source of this water, high in the Himalaya. There, it is white as milk.

You all huddle around and try to light the lumps of camphor in your flower boats. It takes some doing, what with the wind tearing down from the hills.

You take your shoes and socks off and wade in. It is cold. Offerings buck and scurry past. Rocks shift under your feet and the current urges you downriver. You stub your toe, plant your feet. You offer prayers for others, but when you light your own you don’t have anything to pray for. Everything seems ridiculous. Well, I carried it this far, you think, lowering the bright cup towards the water, so, here…just, take it. 

It is dark now. The flame of your offering mingles with the reflections of electric lights. The priests are wrapping up their ritual. For now, their voices cannot reach you. Take it away, you think again. The river rushes on, ignoring you. The river rushes on, unchanging. Because of this, you will never be the same.

 

Where is the other tomato?

I dunno about you, but I need a break from the serious stuff.

Last night, I acquired two fresh, ripe tomatoes from a friend and put them on the back seat of the Red Barron (our Hybrid SUV). When we got home, there was only one tomato.

I wondered: Where is the other tomato?

I looked on the floor, under the seats, in the hatchback. Urban & I had gotten into a stupid fight (as if there is another kind) on the way home, so he was like, Jeeze, now what? My reply: Well, SOMEBODY has to take care of things around here! At least ONE of us cares about the missing tomato! He gave me a long look, but said nothing and went into the house, because, really…there's no response to that.

I got a flashlight & looked again. No tomato.
After awhile I gave up and followed Urban inside, where we made up, ate frozen pizza and Thai veggie dumpling for dinner and watched the first half-hour of “Southland Tales.” No one mentioned the tomato.

Before bed, I asked, a little shyly, if he got the tomato and just didn’t say anything, you know, to fuck with me. We were fighting. He gave that same long look (if you’re married, you know the one) and said no. We went to bed. I wondered about the tomato for awhile before I fell asleep. Where could it be?

At about 2pm today, I am in the kitchen making lunch when I suddenly remember the tomato. It’s a bright, sunny day so I head outside, open all the Barron’s doors, and conduct a visual inspection. I even check the glove compartment. No tomato.

Did the Barron eat it? I think not. That goddamn tomato is in here somewhere.

I plop onto the grass, wish I had a cigarette, and stare at the Barron sitting in the driveway, doors agape. He’s not giving up his secrets. After awhile, Sabbath (our barn cat) comes over to see what’s up. Sabbath is inexplicably fascinated by our vehicles, and relishes the opportunity to explore them. He peeks in the front seat and hops up. This gives me an idea. I shoo Sabbath out, and go get the dogs.

Dogs can smell stuff, right? They use them to find lost people in huge tracts of land and collapsed buildings, so I figure a tomato in a Lexus should be no problem. 

Barnabas and Shiduri have been observing the drama from behind the fence, and are delighted to be included. They rush out of the gate, see the Barron’s open doors, and throw themselves in. After some pushing and shoving, which B-dog predictably loses, they flop down on the backseat and grin at me in anticipation. I tell them we’re not going anywhere, and try to explain about the tomato. They do not care. Just like their father.

I am on my own.

Although they disappointed me, I feel bad that the dogs are excited to go somewhere, so I hop barefoot into the Barron and cruise around the neighborhood. When the dogs are in the car, I drive carefully. (I used to say “I drive like an old lady,” but a couple of years ago I got totally obliterated IN THE CELICA, my I-will-blow-the-doors-off-your-jacked-up-customized-Honda-with-the-ridiculously-huge-spoiler-you-gel-haired-little-punk car, pulling out of a stoplight on HWY 7, by a tiny little old lady in an Audi TT. She was wearing an “I Love My Grandma!” sweatshirt. When we stopped at the next light, she looked over, smiled, and said: I hope someday you can get yourself a real sports car, kid. I learned respect the hard way.)

Anyway, with the pups in the car, I drive carefully, which is boring but gives me time to think. At the intersection of CR 10 & 123, I have a brilliant idea. My normally aggressive driving is just what I need to deal with the tomato situation.

I take the dogs home, usher them out of the car and into the house, grab my purse, and hop back in the Barron, still barefoot. This shouldn’t take long. About halfway down our long farm driveway, I hit the brakes. 

I was only doing about 10 MPH, but figure that’s enough to roll that little tomato right out of its hidey hole. I crane around and look at the floor of the backseat. I don’t see it right away, so I hop out, open all the doors, etc., etc.

There is no sign of the tomato.

I get back in the car, turn left onto Harff Road, and, getting up a little more speed, try again. Get out, open doors, look for tomato. Repeat. I do this about four times, going a little faster every time—I’m not crazy (really) so I’m not doing more than 25-30 MPH. 

That’s when the Sherriff pulls me over.

Sherriff: Ma’am are you ok? Have you been drinking?
Me: Uh…no. I’m ok and I have not been drinking.
Sherriff: Do you know why I pulled you over?
Me: I look crazy?
Sherriff: (gives me a long look. I resist the urge to ask if he’s married.) You have been driving somewhat erratically. I’ve been watching you get in and out of your vehicle. Is something wrong?
Me: So, yesterday I got two tomatoes from a friend…

I tell him the whole story. He starts laughing when I get to the part about the dogs. When I am done, he give me directions to the nearest veggie stand so I can go get myself another tomato. I really want to explain that I ALREADY HAVE A PERFECTLY GOOD TOMATO and if I don’t find it, it will ROT and STINK in my car. But, sanity prevails. I just thank him and head home. This tomato thing, and the fact that I am the only one who understands that the smell of rotting tomato is not cool, is starting to piss me off. The cop didn’t care. Urban didn’t care. Even my dogs, who can usually be relied upon for empathy, didn’t care. Fine! I give up!

The Barron lurches to a stop next to the house; I slam my door and stomp towards the front door, then realize I left my purse in the car. I stomp back, tug open the passenger side door…

…and there, sitting on the passenger side floor mat, is the tomato. Red, shiny and silent. Where were you, little tomato?

I may never know. But I’m glad you’re back.